Limited 30 copies. 3x C40.
First recordings of the Sedcontra Project with its "Aural Irrumatio" series. In each cassette there is the same recording on both sides. Three exceptional recordings for his debut in Marbre Negre. Aural Irrumatio is a musical project in which the sound source is extracted from a series of pornographic videos called Gag Factor. The Gag Factor collection is dedicated to the extreme female irrumatio. The irrumatio is a type of oral sex also called head fucking in a much more graphic manner, since the head is turned into a mere instrumental object of pleasure, practically acting as a vagina. It also receives the quite more morbid name skull fucking. Most probably because the head is treated as something inert and devoid of life. That is to say like a cranium or perhaps due to its chance of asphyxia and death always implicit in this act. It is a perilous practice - and particularly in its extreme modality - that requires a certain technique from the fellatrix’s side. In effect, thus she must learn to control her laryngeal reflexes when the penetration reaches the throat. Breathing control is also needed since the trachea becomes fully obstructed during the integral insertion. The repeated friction of the throat stimulates an abundant secretion of saliva and mucosa which the recipient subject must constantly spit out during the act to avoid drowning in her own flux. So at the end of the session her face will be completely covered and disfigured by the correspondent gooey patina of yellowish liquid. The resulting voluntary and involuntary sounds have a highly physical and visceral nature and at the same time they result powerfully abstract: expectoration noise, suffocation, throttles, asphyxia... A music of blustered entrails of its own. This is an essay on aural pornography: an effort to terminate with the hegemony of the sense of sight in pornographic production and in favour of that sense apparently further away from the erotic experience, the hearing, and to make music as a result of this same operation incidentally. The snap and the friction of the mute flesh drowned in saliva, the choked noises or explosions of asphyxia and the repressed retch decontextualized, abstracted and manipulated produce a physical music. Ruptured, syncopated and, most importantly, amoral music destined perhaps to awaken the erotomaniac in the music lover and the music lover in the erotomaniac.