he [law-rah] collective hail from the Netherlands and have been active for over 25 years. As the name implies it is a collective of befriended artists with one continuous member, being Bauke van der Wal. The project moves freely between deep drones, dark ambient, noise, field recordings, minimalist sound collages, spoken word/poetry, and occasional rhythmic elements. Each release feels distinctly different and it is frequently said that “no two releases sound the same”. The new release on SSSM is called "strange attraction" and this time the collective is a solo effort by Bauke. The two massive drones are the result of experiments with chaos and order in their relation to the signature analog sounds the collective is known for. While not pure harsh noise, it sits comfortably in the broader noise / industrial / experimental spectrum. So whether it is minimalist noise you're listening to? Or drone? Or as someone once labelled it powerambient? You decide. But rest assured the pieces create strong immersion, tension, and physical pressure while listening. You never "just listen", you feel. “Expect the unexpected, and even then you’re way off ...” professionally duplicated, Ltd 50

Flutwacht is a long-running German solo project in the industrial/noise underground. It has been active since 2003 and remains highly productive today Flutwacht delivers heavy, mechanical industrial noise rooted in the sound of factories, steel, and heavy industry. Expect metallic impacts, distorted loops, deep drones, low-frequency pressure, aggressive feedback, and power electronics intensity, often mixed with darker ambient atmospheres. Themes strongly reflect Saarland’s industrial heritage - steelworks, production, decay, and collapse. Typical album titles include Meine Welt aus Stahl (“My World of Steel”), Puls, Produktionsstillstand (“Production Standstill”), Krach und Stahl (“Noise and Steel”), and Schleifbock. The music varies from rhythmic, loop-driven industrial tracks to pure harsh noise walls and extended immersive drones. Flutwacht is widely respected as one of Germany’s strongest contemporary industrial/noise acts. It bridges old-school industrial and power electronics traditions with modern harsh noise and post-industrial approaches. Fans and reviewers often highlight its atmospheric depth and connection to Germany’s heavy industrial regions. professionally duplicated, Ltd 50

Lashing passively against the torrents of the times; declaring faintly into the chasm of the interior. A vain resistance dissolves into spume, leaving its blurred edges branded upon an obsessive brow. Cheng Daoyuan is one of the representative figures in Taiwan’s contemporary experimental sound scene. His sound works have been released through labels and platforms across multiple countries, and he has participated in several art festivals, both in Taiwan and internationally, through performances, exhibitions, and other formats. He explores the ambiguity of opposing forces through sonic structures that juxtapose murky, pressurized sound masses with quiet, abstract sonic fields. ‘Feeding Frowns For Fronted Froth’ centers on massive walls of atmospheric sound, striking outward through blurred low-end pulsations while confessing inward through sharp, distant high frequencies. As the deafening contours cease to remain clear, all that is left is estrangement across distance. Side A consists of three tracks in distinct styles. An uncanny melody stirs within the act of swallowing; a haloed resonance curled within the pulse gradually drifts out of focus, until the final soundless strike continues to sway at the fingertips. Side B unfolds as an expanse of lingering ruminative haze, unmoving before Sisyphus’s talismanic stone. professionally duplicated, Ltd 50

sssm-170 contagious orgasm - sense of color This work completely eliminates beats and further refines Contagious Orgasm’s long-standing pursuit of “music as situation.” It is an extremely introspective and sensual sound world. Side A「hyperemia cyanosis」　9:52 Red hyperemia, blue cyanosis. Inside the body, blood stirs. Vessels repeatedly expand and contract. A delicate and raw circulatory fluctuation. A beautiful piano melody emerges like a distant memory, then melts away. It overlaps with layers of quiet ambient sound, slowly staining the listener’s nerves. Occasional eerie whispers and fragments of voices blur the boundary between reality and hallucination. Side B「a problem with the circulatory system」　9:36 A problem with the circulatory system. The sound falls into a darker, damper, deeper region. Without using piano, particles of noise and silence spread like capillaries, creating a soundscape that is calm yet carries a pathological tension. Even as color fades, its afterimage rises eerily — an abstract and dense sonic circulation .By placing Contagious Orgasm’s signature “otherworld” inside the extremely confined space of “the interior of the body,” this album becomes a sonic Rorschach test. Each listener’s own bodily memories and sensations will be projected, emerging as different “colors.”Silence and noise, grace and unease, beautiful melody and the premonition of collapse. All elements circulate slowly like blood, leaving a faint heat and discomfort after the approximately 20-minute experience.

This new album, presented by SSSM, finds Sissy Spacek working in a distinctly musique concrète mode. It’s a dynamic, untamed collage assembled from electronics, acoustic instrumentation, and voice—cut, spliced, and reconstituted into something that feels at once immediate and disorienting. The record moves with restless energy, embracing abrupt shifts, dense layering, and moments of uncanny clarity that surface and dissolve without warning. A notable aspect of this release is its vocal presence, which threads through the compositions with slurred ambience—a clear nod to Wiese and Aaron Hemphill’s project Strain of Laws, with the voice functioning less as a narrative anchor and more as a volatile material within the larger sonic architecture. The lineup brings together a formidable group of longtime collaborators and core contributors. Alongside Sissy Spacek mainstays John Wiese and Charlie Mumma, the album features Mitchell Brown (Gasp, LAFMS), Aaron Hemphill (Nonpareils, Liars), and Jay Randall (Agoraphobic Nosebleed). Each brings a sensibility, resulting in a record that feels both cohesive and constantly in flux, shaped by the friction and overlap between these varied pallets.

Wilt is a long-running American dark ambient / noise ambient / death industrial project, primarily the solo work of James P. Keeler (based in Illinois, USA). Started in 1998. The music evokes themes of decay, desolation, death, isolation, withered fields, ruined earth, and existential bleakness. Deep, rumbling low-end drones Field recordings layered with crumbling, organic decay sounds Heavy, oppressive atmospheres Sparse, haunting minimalism mixed with occasional noisy / collapsing textures It is characterized by a very gloomy, heavy, and hopeless atmosphere. Wilt stands out in the American underground dark ambient / death industrial scene for its unwavering commitment to bleakness. the void. Listen at night, headphones on, lights off.

Climax Denial is an American noise/industrial project based in Milwaukee, Wisconsin. Active since 2005, it has become a staple in the underground power electronics and harsh noise scenes, often described as one of the last standing "classic" American power electronics acts.

The real name behind it is Johnny van de Koolwijk, who has been active since around 2000, initially under the alias Dead Husbands and other short-lived names, before settling on ZRTX / Zyrtax. He is also the founder and operator of Dead Mind Records (based in 's-Hertogenbosch, Netherlands), a key label in the underground industrial, noise, and experimental tape scene since 2000. The label specializes in reissues of early industrial material, harsh noise, power electronics, and related genres, while also releasing new works from ZRTX and collaborators.

Nocturne was founded in 1994 by Saphi in France. It started primarily in noise and dark ambient territories, later evolving toward more electronic textures, rhythmic structures, and melodic elements—particularly after Cécile F. became involved around 2006. Over more than 30 years, Saphi has remained the central figure, consistently exploring themes rooted in French industrial culture. The project delves into post-industrial alienation, mechanized labor, mental oppression, and societal critique.

XU Chia-Chun is an experimental musician, organizer and independent label manager. Xu began performing and creating Harsh Noise under the name 'Berserk' in 2015. Renowned for deafening volumes and a stylistic approach imbued with distinct aesthetics during live performances,

North Central is an Italian power electronics / harsh noise project from Brescia, active since at least the late 2010s. It is one of the more active and prolific contemporary names in the Italian underground noise/power electronics scene, which has a long tradition of extreme, confrontational electronics.

Murderous Vision is a long-running American solo project in the dark ambient, death industrial, and related underground scenes. Active since the mid-1990s, it remains one of the most consistent and respected voices in U.S.-based heavy electronics and atmospheric darkness.

G.R.D.V. A victory hardcore unit that continues to update the context of high calorie/high energy, deco class scum, and deconstructed hardcore. A collection of works that express both a sense of sacredness and a lack of intelligence.

C-30 K2 is a solo harsh noise project by Kimihide Kusafuka, one of the most prominent figures in Japan’s harsh noise (Japanoise) scene. K2’s sound is known for its unpredictable editing and violent sonic collisions. His raw “metal junk noise” using scrap metal is particularly famous,

SSSM-145, harsh noise legend Richard Ramirez collides with Contagious Orgasm's renegade Hiroshi Hashimoto! Different Substances unleashes a torrent of crawling electronic grit that engulfs fetal heartbeats, with fragmented dialogues twisting into intricate brainwashing soundscapes. The violent blasts of harsh noise merge with dark ambient's ethereal layers, transmuting the listener's mind into "different substances." Exclusive to this limited cassette, it's a cross-cultural frenzy you won't experience anywhere else. Essential for the noise underground!

SSSM-138 GOVERNMENT ALPHA - ObliVision 2025: the most vicious harsh noise returns. Five tracks, approx. 40 minutes of unrelenting assault. Ultra-low frequencies rattle your organs while needle-sharp highs pierce your skull-simultaneous bombardment across the entire spectrum. Feedback is mercilessly shredded into fragments that spawn new walls of distortion. The principle of destruction converted into raw sound, 100% pure.

sssm-144 Shinkiro-Five Elements C-20 Cassette + pin In Shinkiro - Five Elements, the five elements of Buddhist cosmology—Earth, Water, Fire, Wind, Void—unfold as a haunting dark ambient odyssey. Earth bears the weight of karma, Water flows with the tide of impermanence, Fire consumes delusion, Wind carries the whispers of causality, and Void embraces eternal stillness. Like a mirage, these sounds shimmer and dissolve, guiding the listener to the edge of nirvana. Slip on your headphones and surrender to this sonic mandala. This album is no mere music-it’s a meditation, a ritual, a journey into the mirage of existence.

この録音は、リスナーの周囲の音とミックスされることを意図して作成された、細心の注意を払って作成された絶妙なアンビエント作品です。 GC は、耳障りな電子サウンド、フィードバック、ドローン アンビエントの要素を展開。このプロジェクトは攻撃的で予測不可能なサウンドで知られており、ライブ パフォーマンスや録音された作品を通じて届けられています。

Dissecting Table - Contaminated Area 『Contaminated Area』は、日本のノイズ／インダストリアル・アーティスト、辻一郎のソロ・プロジェクト、Dissecting Tableの最新リリースで、SSSMレーベルよりリリースされます。このアルバムは、環境と社会の荒廃というテーマを探求する、生々しい音体験を提供し、ハーシュノイズとインダストリアル・ミュージック・シーンにおける辻のパイオニアとしての地位を確固たるものにしています。A面「Death From Infection」とB面「Black Purification System」の2曲で構成され、それぞれ9分弱の楽曲は、簡潔ながらも強烈なサウンドの混沌と実存的な恐怖の世界へと誘います。

ダンスフロアを引き裂くように設計された前向きな5つの新曲です。 心に響く感動的なカットです。魅惑的なビート、ノイズの振動、 響き渡る妖艶な3CHI5の力強い共鳴で、 カレイドスコープのようなめくるめく変化を楽しめるサウンドです！ C-30 cassette tape Limited Edition 150. DLコード、缶バッチ付き

得意の奇怪なコラージュからスピリチュアルなアンビエンスに響き渡るノスタルジックでメランコリックな旋律と独特のテキスチャー。 切り刻まれたボイスやサンプリング・ループのレイヤーがハーシュサウンドと交わり奇妙なエキゾチズムとサイケデリアを生成。 ピアノの旋律と無機質なインダストリアルノイズ，和を感じるプリミティブなリズムによる奇怪なグルーヴ、 フィールド音の残骸を合成し新たなる音像へと再構築された、 深層心理の広大な海と深い闇を感じさせるミュージック・コンクレート作品。 https://youtu.be/Bt6bDGwQkCs https://soundcloud.com/sssm/contagious-orgasm-exploration-and-seeking-part-1

死霊騎士団の復活とゴアポルノの融合を求めるリリシストで覆面ボーカリストのBBVと、 ノイズ・プロジェクト GxCxとのゴア トラッシュ ユニット。 The Pure Scum God! 絶叫ボーカル/ハーシュ・コラージュ／ノイズ・フィードバック・サウンド。 極少リリースされた1stカセット,1st 2nd EPのレア音源収録 阿鼻叫喚の地獄の門を抉じ開ける全65曲のピュア・スカム・サウンド!! https://youtu.be/5AM1Rg6NbSg https://soundcloud.com/sssm/sets/blessed-blood-vulva-guilty-c-the-third-slaughter

Yasuhito Fujinami　1st CDリリース！ 大胆なサンプリング・コラージュと、切ないシンセメロディーに、 インダストリアル/ハーシュ & アポカリプティックな世界観が調和した音響構成、 エクスペリメンタルでいてブラックネスをビシビシと感じさせるセンスは抜群。 悲哀から愛へと流れるアンビエントノイズに仕上がっています。 https://youtu.be/0TStB3d-Wck https://soundcloud.com/sssm/yasuhito-fujinami-dream-ritual

5年ぶりの新録作品！ The long awaited new recording full cd of Contgious Orgasm - Ultramarine. it is a very unique sound and strange landscapes of numerous musical styles. but because of the countless noise,electronica,classical and experimental sounds to dark ambient. it is so much more than that . those great twists of sound and color, a wonderful scene description on each track, a true tour through the electronic sound space. and sometimes grim (the ominous background noises), then just beautiful cinematic soundscape. Released in a four-panel cardboard sleeve. https://youtu.be/RNBeeEFIm1g