smr.tni is a queer industrial/power electronics project from Essen, Germany. It is the solo project of a queer experimental multimedia artist active in the harsh noise and power electronics underground scene. Derived from the Serbian word “smrt” (death / mortal), referring to “the mortal” or “transient being.” The project deeply explores themes of transience of existence, depression, suicidal ideation, body dysphoria, persistent (chronic) pain, and bodily transformation. smr.tni blends power electronics with harsh noise elements, creating intense, visceral soundscapes. The work is highly personal and political, treating pain not just as subject matter but as a tool for self-empowerment and bodily reclamation. Performances frequently combine sound with bold, expressionist physical performance - scarred, empowered, and re-shaped bodies without inhibition. The artist describes the approach as “power electronics as immanent self-empowerment,” drawing a line where pain becomes an end in itself without falling into empty pathos. Everything is direct, raw, loud, and purposeful. smr.tni is not just another noise project - it is a deeply personal, queer/trans-informed artistic practice that uses power electronics and harsh noise to process and transform experiences of pain, body, and existence. In the German and broader European industrial/noise scene, it has quickly become recognized as a fresh and distinctive voice of the new generation.

LIKE WEEDS is an industrial noise project based in Tokyo,Japan, created by British-born artist Kenny Sanderson, who has lived in Japan for over 20 years. The project began in 2018 as a shift from his long-running harsh noise/cut-up project FACIALMESS (active since 1996), allowing him to explore cleaner, more rhythmic, and structured sounds. LIKE WEEDS is known for death industrial, power noise, rhythmic noise, and elements of dub and power electronics. Kenny describes the sound as "Concrete Trogotronic riddims" — minimal, repetitive, analog-driven electronics with heavy use of Trogotronic instruments, Vermona Lancet kick drums, Korg sequencers, and other hardware. Compared to the chaotic, cut-up harsh noise of FACIALMESS, LIKE WEEDS is more controlled, dub-influenced, and often mid-tempo/sludge-oriented, frequently exploring themes like addiction, urban isolation, social injustice, state-sanctioned decay, and personal/political struggle.

Tzii is a Belgian musician, composer, filmmaker, and sound artist based in Brussels. Active since the mid-1990s, he creates experimental, genre-defying work that crosses electronic music, noise, industrial, post-punk, ambient, sound art, cinema, and live performance. Tzii’s approach is deliberately undogmatic and deconstructed. He treats “displacement” as a permanent state rather than a temporary condition. His works often evoke “dirty paradises” — raw, tropical, apocalyptic sonic landscapes that challenge perception and rationality. He aims to create immersive, liminal experiences that blend harsh electronics, cinematic textures, ritualistic elements, and physical intensity. Some describes his artistic identity as “a mountain of multiple figures” reflecting his shape-shifting, multifaceted practice that refuses easy categorization. Tzii represents the vibrant, boundary-pushing experimental underground scene of Brussels while maintaining a truly global and nomadic perspective. His art combines Belgian/European dark electronic traditions with non-Western influences, always seeking deep sensory and perceptual displacement. Live performances are especially powerful and recommended for those who enjoy intense, unpredictable sonic experiences.

This new album, presented by SSSM, finds Sissy Spacek working in a distinctly musique concrète mode. It’s a dynamic, untamed collage assembled from electronics, acoustic instrumentation, and voice—cut, spliced, and reconstituted into something that feels at once immediate and disorienting. The record moves with restless energy, embracing abrupt shifts, dense layering, and moments of uncanny clarity that surface and dissolve without warning. A notable aspect of this release is its vocal presence, which threads through the compositions with slurred ambience—a clear nod to Wiese and Aaron Hemphill’s project Strain of Laws, with the voice functioning less as a narrative anchor and more as a volatile material within the larger sonic architecture. The lineup brings together a formidable group of longtime collaborators and core contributors. Alongside Sissy Spacek mainstays John Wiese and Charlie Mumma, the album features Mitchell Brown (Gasp, LAFMS), Aaron Hemphill (Nonpareils, Liars), and Jay Randall (Agoraphobic Nosebleed). Each brings a sensibility, resulting in a record that feels both cohesive and constantly in flux, shaped by the friction and overlap between these varied pallets.

G.R.D.V. A victory hardcore unit that continues to update the context of high calorie/high energy, deco class scum, and deconstructed hardcore. A collection of works that express both a sense of sacredness and a lack of intelligence.

ダンスフロアを引き裂くように設計された前向きな5つの新曲です。 心に響く感動的なカットです。魅惑的なビート、ノイズの振動、 響き渡る妖艶な3CHI5の力強い共鳴で、 カレイドスコープのようなめくるめく変化を楽しめるサウンドです！ C-30 cassette tape Limited Edition 150. DLコード、缶バッチ付き

得意の奇怪なコラージュからスピリチュアルなアンビエンスに響き渡るノスタルジックでメランコリックな旋律と独特のテキスチャー。 切り刻まれたボイスやサンプリング・ループのレイヤーがハーシュサウンドと交わり奇妙なエキゾチズムとサイケデリアを生成。 ピアノの旋律と無機質なインダストリアルノイズ，和を感じるプリミティブなリズムによる奇怪なグルーヴ、 フィールド音の残骸を合成し新たなる音像へと再構築された、 深層心理の広大な海と深い闇を感じさせるミュージック・コンクレート作品。 https://youtu.be/Bt6bDGwQkCs https://soundcloud.com/sssm/contagious-orgasm-exploration-and-seeking-part-1

死霊騎士団の復活とゴアポルノの融合を求めるリリシストで覆面ボーカリストのBBVと、 ノイズ・プロジェクト GxCxとのゴア トラッシュ ユニット。 The Pure Scum God! 絶叫ボーカル/ハーシュ・コラージュ／ノイズ・フィードバック・サウンド。 極少リリースされた1stカセット,1st 2nd EPのレア音源収録 阿鼻叫喚の地獄の門を抉じ開ける全65曲のピュア・スカム・サウンド!! https://youtu.be/5AM1Rg6NbSg https://soundcloud.com/sssm/sets/blessed-blood-vulva-guilty-c-the-third-slaughter

Yasuhito Fujinami　1st CDリリース！ 大胆なサンプリング・コラージュと、切ないシンセメロディーに、 インダストリアル/ハーシュ & アポカリプティックな世界観が調和した音響構成、 エクスペリメンタルでいてブラックネスをビシビシと感じさせるセンスは抜群。 悲哀から愛へと流れるアンビエントノイズに仕上がっています。 https://youtu.be/0TStB3d-Wck https://soundcloud.com/sssm/yasuhito-fujinami-dream-ritual

5年ぶりの新録作品！ The long awaited new recording full cd of Contgious Orgasm - Ultramarine. it is a very unique sound and strange landscapes of numerous musical styles. but because of the countless noise,electronica,classical and experimental sounds to dark ambient. it is so much more than that . those great twists of sound and color, a wonderful scene description on each track, a true tour through the electronic sound space. and sometimes grim (the ominous background noises), then just beautiful cinematic soundscape. Released in a four-panel cardboard sleeve. https://youtu.be/RNBeeEFIm1g

"In Praise Of Shadows" is a massive collaboration album by Italy's legendary producer Eraldo Bernocchi of Sigillum S and Japanese dark ambient mastermind Manabu Hiramoto of Shinkiro. The music weaves dark electronics and industrial dub with heavy atmosphere. The 8 tracks based on a concept of the traditional Japanese aesthetics inspired by Junichiro Tanizaki's essay, beautifully contrasted light and shadow, stillness and motion with using modern technology and various musical compositions. 4-panel cardboard sleeve. sample https://youtu.be/RE3aZnx6OYE https://soundcloud.com/sssm/eraldo-bernocchi-and-shinkiro-shadow-ghosts

Shinkiro - Cycle Of Rebirth. sssm-114. CD "Cycle Of Rebirth" is a conceptual album inspired by the desire realm in the philosophy of Buddhism. The sound is based on dark ambient soundscapes, blend with hypnotic rhythms with industrial edge and haunting melodies. The elaborately composed pieces create a magical and mystic world. amazing atmosphere! Released in a 4 panel cardboard sleeve. Released:20 Jan 2015 sample http://youtu.be/7VpDrU0WPFw

Contagious Orgasm - Invasion. sssm-111 cd/ From the outside space to the inner space. sssm-111 processed field recordings & electro-acoustic sound art collage, a mixture of constituted delicately industrial and noisy ambient sounds.

sssm-112 Contagious Orgasm most noisy album. sound material from 1989,4ch MTR cassette,4tracks 100mins over,3tracks Unreleased. Cinematic landscape in the tip of the loops, electronic sound meet ethnic music that has been cut and paste. ambient music to a metal percussion and a noise whirlpool. Seeking Sensation Scale Music!! Released in a four panel cardboard sleeve.

sssm-113 Giant Fish is the result of creative collaboration and sharing of sounds between Contagious Orgasm and Instinct Primal. The album is a rich mixture of deep, dark, funereal and space ambient with rhythmic beats. Some tracks demand your full attention and there is no escape. Some can have a hypnotic effect on a sensitive mind and trigger a whole new inner world of abstract ideas and imagination. Clear your mind after a difficult day and immerse yourself. The sound is made for a experience listeners who like to enjoy a daily dose of "primal orgasm". Released in a four panel cardboard sleeve.