he [law-rah] collective hail from the Netherlands and have been active for over 25 years. As the name implies it is a collective of befriended artists with one continuous member, being Bauke van der Wal. The project moves freely between deep drones, dark ambient, noise, field recordings, minimalist sound collages, spoken word/poetry, and occasional rhythmic elements. Each release feels distinctly different and it is frequently said that “no two releases sound the same”. The new release on SSSM is called "strange attraction" and this time the collective is a solo effort by Bauke. The two massive drones are the result of experiments with chaos and order in their relation to the signature analog sounds the collective is known for. While not pure harsh noise, it sits comfortably in the broader noise / industrial / experimental spectrum. So whether it is minimalist noise you're listening to? Or drone? Or as someone once labelled it powerambient? You decide. But rest assured the pieces create strong immersion, tension, and physical pressure while listening. You never "just listen", you feel. “Expect the unexpected, and even then you’re way off ...” professionally duplicated, Ltd 50

Flutwacht is a long-running German solo project in the industrial/noise underground. It has been active since 2003 and remains highly productive today Flutwacht delivers heavy, mechanical industrial noise rooted in the sound of factories, steel, and heavy industry. Expect metallic impacts, distorted loops, deep drones, low-frequency pressure, aggressive feedback, and power electronics intensity, often mixed with darker ambient atmospheres. Themes strongly reflect Saarland’s industrial heritage - steelworks, production, decay, and collapse. Typical album titles include Meine Welt aus Stahl (“My World of Steel”), Puls, Produktionsstillstand (“Production Standstill”), Krach und Stahl (“Noise and Steel”), and Schleifbock. The music varies from rhythmic, loop-driven industrial tracks to pure harsh noise walls and extended immersive drones. Flutwacht is widely respected as one of Germany’s strongest contemporary industrial/noise acts. It bridges old-school industrial and power electronics traditions with modern harsh noise and post-industrial approaches. Fans and reviewers often highlight its atmospheric depth and connection to Germany’s heavy industrial regions. professionally duplicated, Ltd 50

Lashing passively against the torrents of the times; declaring faintly into the chasm of the interior. A vain resistance dissolves into spume, leaving its blurred edges branded upon an obsessive brow. Cheng Daoyuan is one of the representative figures in Taiwan’s contemporary experimental sound scene. His sound works have been released through labels and platforms across multiple countries, and he has participated in several art festivals, both in Taiwan and internationally, through performances, exhibitions, and other formats. He explores the ambiguity of opposing forces through sonic structures that juxtapose murky, pressurized sound masses with quiet, abstract sonic fields. ‘Feeding Frowns For Fronted Froth’ centers on massive walls of atmospheric sound, striking outward through blurred low-end pulsations while confessing inward through sharp, distant high frequencies. As the deafening contours cease to remain clear, all that is left is estrangement across distance. Side A consists of three tracks in distinct styles. An uncanny melody stirs within the act of swallowing; a haloed resonance curled within the pulse gradually drifts out of focus, until the final soundless strike continues to sway at the fingertips. Side B unfolds as an expanse of lingering ruminative haze, unmoving before Sisyphus’s talismanic stone. professionally duplicated, Ltd 50

sssm-170 contagious orgasm - sense of color This work completely eliminates beats and further refines Contagious Orgasm’s long-standing pursuit of “music as situation.” It is an extremely introspective and sensual sound world. Side A「hyperemia cyanosis」　9:52 Red hyperemia, blue cyanosis. Inside the body, blood stirs. Vessels repeatedly expand and contract. A delicate and raw circulatory fluctuation. A beautiful piano melody emerges like a distant memory, then melts away. It overlaps with layers of quiet ambient sound, slowly staining the listener’s nerves. Occasional eerie whispers and fragments of voices blur the boundary between reality and hallucination. Side B「a problem with the circulatory system」　9:36 A problem with the circulatory system. The sound falls into a darker, damper, deeper region. Without using piano, particles of noise and silence spread like capillaries, creating a soundscape that is calm yet carries a pathological tension. Even as color fades, its afterimage rises eerily — an abstract and dense sonic circulation .By placing Contagious Orgasm’s signature “otherworld” inside the extremely confined space of “the interior of the body,” this album becomes a sonic Rorschach test. Each listener’s own bodily memories and sensations will be projected, emerging as different “colors.”Silence and noise, grace and unease, beautiful melody and the premonition of collapse. All elements circulate slowly like blood, leaving a faint heat and discomfort after the approximately 20-minute experience.

"the shadow of the torturer" offers a profound sonic immersion into the twilight world of gene wolfe’s the book of the new sun. this opus captures the somber solemnity of urth - a horizon so distant that the sun itself falters. it serves as the definitive soundtrack to a decaying empire, the cyber-khanate, where technology has ascended to the status of a mystical relic and culture remains frozen in macabre ritual.

ON THE FORGETTING OF LANGUAGE: to contemplate the forgetting of language is to witness the word’s erosion until only the tongues of smoke and ashes remain. we inhabit an era where the soul’s syntax dissolves into the profound gravity of the stillness, a quietude where we encounter the unconscious dream of redefining god as darkness. in this state of un-naming, the biological yields to the ontological; you realize that within you all blood is black, a river of ink awaiting a script that no longer exists. moving beyond the transactional nature of speech, as we brace the mountain, we offer the self - a final surrender of the ego to the unyielding earth. lured by the pull of the shadows, we move toward a soundless, formless, serene darkness that defies modern categorization. to forget language is not to lose intelligence, but to transcend it; it is to finally become one with the emptiness, where silence speaks with a clarity no tongue could ever achieve.

THE RORSCHACH GARDEN achieves a masterful synthesis of vintage synthesis and contemporary electronic poise. “trust the process” inhabits a liminal space where nostalgia and futurism converge, navigating with refined precision the tension between melancholic melody and rhythmic resilience.

Bizarre Uproar, Sick Seed and Mania, their first group collaboration was originally released only as LP. Long sold out release is now available on CD! Audio is the same, artwork is using the same original collages as was for LP, but now everything is on full color like the collages originally were.

Ultra rare and hard to Find BLACK LEATHER JESUS tape reissued with original graphics and original sound without extensive boosting or revisionism! Raw and fierce noise from the 90's!

Re-issue of 20+ years old Ramirez album that displays the different side of his work. Leaning more to industrial-noise than pure harshness. Still today, album stands strong within his massive discography. Re-press with identical audio, same artwork modified to digipak cove

UK, new album of HH, less harsh noise, more industrial-soundscapes of loops and crude factory sounds, arranged into pieces that has the dirty noisiness, but also the cold industrial sound

Originally LP on Freak Animal records. 1997 rare vinyl release is issued on CD for the first time extended edition with additional 10 minutes of unheard Ramirez material what did not fit on the LP and collaboration tracks are also slightly longer. Artwork, sound and spirit remains faithful for the original LP even if CD allowed the additional material / length for duration!

20 years after original CDr release on Freak Animal, finally here comes the re-edition into CD of this rare Bizarre Uproar title! 25 minutes of very "Bizarre Uproar" harsh noise & the special collaborations with GRUNT and BASTARD NOISE!

Bizarre Uproar + Sick Seed. Two heavy weights meet again under this name

New full length album of Bizarre Uproar displays how it is possible to have long history, keep the original spirit alive but also improve and rise to new levels of strength and quality! New full length is sharp, crispy, fierce and massive monolith by the Finnish noise veteran

The theme is based on Mabel Collins (1852-1927); British occultist, vegetarian, author, introvert and Virgo who was rumored to have been romantically involved with Jack the Ripper. Sonically, every Piercing release approaches things a bit differently, with no set formula or limitations on experimenting with new ideas...and "The Blossom and the Fruit" is no different, yet it is also an amalgamation of all previous aspects of the project (decrepit tape loops, no-fi harsh noise, oldschool industrial and power electronics), and the tracks were all sort of "written" and rehearsed before being mixed and recorded straight to tape.

industrial music from rhode island, USA "NO BUSINESS TRYING TO FIX WHAT'S BEEN BROKEN IT'S ALWAYS FUCKING SOMETHING" "Taciturn - EP" is an album by The Vomit Arsonist, released 1st January 2026 via Begin Hostilities. It features 4 tracks, including "For All To See", "Best Laid Plans", and "The Urge To Self Destruct". C20 released in an edition of 50 on Begin Hostilities

Sleazy, Scummy harsh noise from both projects. The sound of anonymous rough trade in dimly lit back rooms and grimy public toilet stalls. C30, professionally duplicated Edition of 100.

4 tracks of harsh noise, professionally duplicated on to cassette and housed in artwork printed on transparent vellum.

The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. CD in matt-laminate gatefold ecopak https://soundcloud.com/coldspring/salo-untitled-15-2

Best known for his "Nekromantik" soundtracks (Dir. Jörg Buttgereit), HERMANN KOPP composed and recorded his new soundtrack to the 1920 classic horror film "Der Golem" - a leading example of early German Expressionism by Paul Wegener. First released in 1914, three versions of this material were made, but only the 1920 version is still available. https://soundcloud.com/coldspring/sets/hermann-kopp-der-golem

This new album, presented by SSSM, finds Sissy Spacek working in a distinctly musique concrète mode. It’s a dynamic, untamed collage assembled from electronics, acoustic instrumentation, and voice—cut, spliced, and reconstituted into something that feels at once immediate and disorienting. The record moves with restless energy, embracing abrupt shifts, dense layering, and moments of uncanny clarity that surface and dissolve without warning. A notable aspect of this release is its vocal presence, which threads through the compositions with slurred ambience—a clear nod to Wiese and Aaron Hemphill’s project Strain of Laws, with the voice functioning less as a narrative anchor and more as a volatile material within the larger sonic architecture. The lineup brings together a formidable group of longtime collaborators and core contributors. Alongside Sissy Spacek mainstays John Wiese and Charlie Mumma, the album features Mitchell Brown (Gasp, LAFMS), Aaron Hemphill (Nonpareils, Liars), and Jay Randall (Agoraphobic Nosebleed). Each brings a sensibility, resulting in a record that feels both cohesive and constantly in flux, shaped by the friction and overlap between these varied pallets.

Wilt is a long-running American dark ambient / noise ambient / death industrial project, primarily the solo work of James P. Keeler (based in Illinois, USA). Started in 1998. The music evokes themes of decay, desolation, death, isolation, withered fields, ruined earth, and existential bleakness. Deep, rumbling low-end drones Field recordings layered with crumbling, organic decay sounds Heavy, oppressive atmospheres Sparse, haunting minimalism mixed with occasional noisy / collapsing textures It is characterized by a very gloomy, heavy, and hopeless atmosphere. Wilt stands out in the American underground dark ambient / death industrial scene for its unwavering commitment to bleakness. the void. Listen at night, headphones on, lights off.

Never reissued in its full glory! Late 80's Broken Flag label release of Satori! Audio without remastering and artwork follows spirit of the original tape.