ドイツのDunkelheit Produktionenリリース Occult and sinister sounds from Russia emerge once again! After stirring the water with the debut album of Womb11 and his first tape as Logos, the anonymous mastermind from Pskov presents another treat for those very few still able to grasp the essence of true outsider art. „II“ is another exercise in skillful minimalism and another great success. Crunchy walls dig through tormented flesh and there is always something going on. Distant crackles, harsh fuzz and an overall feeling of manual and hands-on craftiness. It feels like the audial interpretation of a graverobber unearthing charred remains for sinister practices. Two tracks, one longer and one short, form the core of Logos' new opos. Feedback, slow-burning Noise and clattering sing the proud hymn of a long forgotten future of Industrial heritage. Once again, a release not to be missed!

ドイツのDunkelheit Produktionenリリース Prepare yourselves as Dodssang Tempel is unleashed. This clandestine new Act has been lurking in the Shadows of the international Noise Scene and has worked with labels like Phage and Deathbed Tapes. Now, Dunkelheit presents a further full length tape: Psalms Of Damnation And Hate Being steeped in Dark Rituals and Occult Wisdom, Dodssang Tempel's Sound is pure Black Bile, crunchy and distorted Walls that speak the obscure Tongue of banished Demons. Under these static Assaults, the Listener will find fine Interactions and Patterns of Sound dancing like Witches on Samhain while still presenting pure audial bloodstained Vomit. Not for Trendies. Dodssang Tempel proves that the Underground is alive and the Black Flame can never be extinguished.

ドイツのDunkelheit Produktionenリリース Aesthetic of Death comes creeping in slow but harsh monoliths of pure blackness. Indebted to the rich Tradition of Harsh Noise Wall, this new Outfit offers 4 lengthy tracks that should bring absolute bliss to the aficionados. A strong occult vibe runs through the dense and claustrophobic pieces, evoking feelings of Decay and timeless Evil. There are, of course, the heavy crackles and Bass frequencies hint towards Vomir and the Rita, but there is also a certain development and buildup that provides sufficient identity to Aesthetics of Death. Some may even notice the buzzing death synths that made the Italian pioneers masters of Death Industrial Occult Death Worship and Harsh Noise Wall - a match made in heaven. Strongly recommended!

Voluntary Whores(Germany)リリース、C100カセット Drone, Noise 21 x 21cm art cover in PE Bag with object. Limited to 70 copies worldwide.

Licht Und Stahl(Germany)リリース,カセット Dark Ambient, Industrial, Drone Collaborative album (N.Strahl.N reworked electronic compositions by Mystified, Mystified reworked concrete sounds and electro-acoustic fragments by N.Strahl.N). Limited edition of 50 hand-numbered copies.

cloister recordings(USA)リリース New full length from Spanish heavy electronics master Fernando O. Paino, featuring guest appearances from Thomas Garrison (Control), Thomas Bjoden (Die Weisse Rose), Svali (REO), & K. Kaos (Tube Tentacles). Limited edition of 200 copies on black vinyl with double sided insert and download code. https://cloisterrecordingsus.bandcamp.com/album/backlash

Crucial Blast (アメリカ) リリースCassette Power Electronics/Noise project from UK. Originally released in 2008 by Abandonment. Limited to 200 copies on pro-manufactured cassette http://www.crucialblastshop.net/audio/Bagman_Welcome_1.mp3 http://www.crucialblastshop.net/audio/Bagman_Welcome_2.mp3 http://www.crucialblastshop.net/audio/Bagman_Welcome_3.mp3

Scream & Writhe (kanada)リリースカセット God Is War the Los Angeles-based artist and producer a.k.a. Mack Chami joins forces with Toronto-based Andrew Nolan (Intensive Care, Column of Heaven, The Endless Blockade) for The Hunt, and stretch boundaries into oblivion without compromise. Friends and occasional collaborators for over a decade, throughout 2022, they assembled The Hunt, pooling their respective talents into one vision. “Andrew brings order to my chaos,” notes Mack. “I’ll do my glitchy stuff, and he’ll pick out the parts he likes the most and makes them more cohesive. I feel like we’re pushing forward by using more unconventional electronic music approaches to create a dark and heavy electronic mashup of dubstep, IDM, and hip-hop,” Continuing this line of thought Andrew observes “the origins of industrial, power electronics, techno, dub, and hip hop all have similar stories when it comes to technology; people repurposing cheap consumer electronics to create new forms and expressions and building genres out of these experiments. Why not apply hip hop sampling techniques to feedback? Why not process drums like you’re making a noise record?” The result of this cross-pollination is a harrowing détournement of contemporary electronic music’s utopianism, presenting the listener with a post-apocalyptic dubstep, a vision of a block party after the oil runs out. The title track “The Hunt” illustrates the power of their alchemy. The production booms with a cavernous rumble, leaving space for New Villain of No Face Krew to stalk the rhythm with incisive rhymes on the record’s sole vocal passage. “It’s the hardest track on the album,” Mack states. “Andrew, New Villain, and I are gentlemen who aren’t just sitting around hoping that something takes off. We’re all very active in music. As we continue to get our footing more, it’s like our hunts get meaner and meaner. You don’t just hunt once in a lifetime; you hunt for a lifetime.” Speaking of hunting, the duo bare their teeth on the industrialized soundscape architecture of “I Paint Houses.” Menace seeps through the cracks between the bludgeoning beat-craft as the title nods to a phrase from Martin Scorsese’s epic The Irishman.“The whole idea of painting houses is you shoot someone and blood sprays on the wall,” he reveals. “I make music that embodies those darker vibes.” In the end, The Hunt unapologetically pulls audiences into the unknown. “I’m hoping this can inspire other folks to look at a new way of making beats.” Mack concludes.

Scream & Writhe (kanada)リリースCD Kate Rissiek has been a mainstay of the west coast Canadian harsh noise scene for over a decade now and "Base Waters" comes nearly seven years after Rusalka's initial involvement with Absurd Exposition ("Blood Comes Anyway", 2013). Within those years a line can be traced that has continued to tighten around a formidable body of work - from solo releases on stalwart labels such as New Forces, to splits with the likes of MK9 and THE RITA on Neural Operations, and a compilation appearance on heavy electronics powerhouse Tesco Organization. "Base Waters" showcases an artist dedicated to their craft and at the top of their game. However, if anything is evident during Rusalka's past eleven years, it is that "peak performance" negates the fact that there are still more peaks to climb (and make no doubt - they will be climbed). This is a much-deserved LP from one of the most consistent and ever-improving noise acts of our time. Using a theremin as a centerpiece, Rusalka leads us straight into a harsh noise odyssey of oceanic depths - but something is lurking beneath the waves. It's dark. Fog horns sound. A lighthouse is pulsating. Underwater evasion. Capitulation. Receding tides. No respite. These waters run thick.

Scream & Writhe (kanada)リリースCD "Texture. A nice word, wouldn’t you say, settling into the audible dis-course with whiffs of sophistication, complexity, depth. The Oxford English Dictionary gives us "the constitution, structure, or substance of anything with regard to its constituents or formative elements". Merriam-Webster offers "the disposition or manner of union of the particles of a body or substance". And here, courtesy Barstool Mountain, III, a deep-dive into fractured reservoirs of textural dis-course, whiffs of smudged sophistication, crusted complexity, substance over style. Nine months on from the maiden ‘Stool drop, the aims of Mattias Gustafsson’s Altar of Flies alter-ego swim into red-rimmed, bleary-eyed focus: less the painstakingly plotted array of elliptical rabbit holes, more the going full brute on the ass. Still as ever moored to that measured sense of deliberation and patience, but distilled to the chase, not so much hurried as harried, frazzled, grizzled, hair askew and sticking, chunks ripping off chunks galore, the dread and thrill of discovery fueling fresh flush-faced lurch through weathered beaten fabrics, brute-conditioned deliberations teasing jeweled moldering gristle-chunks from crusted rippling crunch-pockets. https://absurdexposition.bandcamp.com/album/iii

Not for wimps. Anti-social and sexualized power electronics from Finland. https://youtu.be/vS9FPj3QZNM

Cyclic Law(フランス)リリースcd. it's with great joy that we welcome one of Japan's most revered Ambient act. Manabu Hiramoto has been creating deeply distinct atmospherics since 2003. On this new album he's combined ritualistic elements with lush, foreboding passages, creating an ode to his country's unique nature worship. Based on Japanese mythology sourced from Shinto and Buddhism, "The Birth of the Gods” has at its core nature worship, that the gods exist in all of nature. Composed from deep drones, organic ethereal ambience layered with melodic guitar, piano and field recordings track express the unique characters of nature entities. These seven compositions tap into and reveal some of Japan's most ancient mysteries. CD Edition of 400 copies in 6 panel Digisleeve. 7 Tracks. Running Time 38:58

Tribe Tapes (USA)リリースCD. Originally released 1988 via Prion Tapes Mastered by Nÿland at 4 & Rising Cover by Adrian Gormley "In the 1970s, serious music lovers had a reel-to-reel tape deck. My father certainly loved music and had one to tape classical music off the radio. I recorded my first musical experiments with this machine, fascinated as I was by slowing down the speed so my pieces last longer. Later on, I had some more experience, and my father turned to playing CDs, so the reel-to-reel machine has used a lot less, and I was allowed to drag it upstairs, and I borrowed one from the likewise serious Phillips employee next door. Now having two machines, I was able to create longer loops, which became an overall ingredient in the music of Kapotte Muziek. 'Music Ohne Ende' means 'music without an end', which is what tape-loops are all about, isn't it? The four pieces on this cassette from 1988 are recorded with sound sources mentioned in the titles; metal, feedback, paper and surfaces, and resonances. I remember very little about the recording process, to be honest, but somehow this tape I enjoyed for its instability in sound and the noise of it all. I also used a loop housed in a normal cassette at that time, but those results never captured the same power. For this CD re-issue, there are also three bonus tracks from the same period, using the same tape machines, but more cut-up/collage, cutting tapes and sticking these together in random order." Frans de Waard, September 2022 https://tribetapes.bandcamp.com/album/musik-ohne-ende

Oxidation(USA)リリース、CD all songs composed/recorded by HS at The Hotel Amnesia (Lowell, MA) & The Sun Room (Ashburnham, MA) 2020-2023. HS - cassette tapes, tape players, speakers, percussion, instruments, etc processing: Theresa Smith, France Jobin, Melanie O’Dubslaine, Craig Johnson, Andrea Pensado, Frans de Waard, Stuart Chalmers, Joe Murray, Ross Scott-Buccleuch, Hali Palombo, Andrew Zukerman, Theo Gowans, Rudolf Eb.er. Art & design by Edward Sol.

advaita records (Japan) Black sleeve ltd75 日本のノイズ・インダストリアルで、ヨーロッパにおいてライブ演奏が最も高く評価されているユニットの一つがContagious Orgasmであることは異論の余地はないだろう。 完璧に構成された有機的な情景を紡ぎだす、彼らの素晴らしいライブが、日本では名古屋以外でほとんど体験できないことは残念でなりません。 advaita recordsではこの状況を打破すべく片面ライブ、片面スタジオ録音による新作カセットをリリースいたします。 B面はContagious Orgasm独特のサンプラーによる超現実的なカットアップ・コラージュのセンスが冴えわたる目眩く映像が脳内で展開される無題トラックを収録しています。

Old Europa Cafeリリース Mini CD Digipak CD edition of that special album. The histroy of these tracks is: In 1995 and before I was employed to take tracks home and manipulate the streams to create new content. The way I did this was a process I called “Rate/Stretch, I won’t go into details, but it was very successful at creating whole new content. From these experiments came the “scorn“ dreamspace mix, and much of Black Light District. After we came back from New Orleans working on the “Backwards LP “at Trent Reznor’s studio, Peter Christopherson, asked me to do the same to two tracks, "Heaven’s blade" and "Wir click Wir (Copacaballa)". This was 1998 (a year and a half after we left New Orleans). I started the project, but due to misgivings at the time with the whole music business, I left, and the tracks didn’t get a release.On these tracks you wil get music unheard. 1. John Balance vocals some of which never heard before 2. The trumpet takes we recorded for Wir click Wir, but never had the facility to use.- Danny Hyde Half hour of heavenly doped muzak... Written by B.C.H. Recorded at Creek house , Swanyard and Bushmead studio. Tracklist: 1. Heaven’s Blade - Dark Night Mix 2. Wir Clik Wir - A Deeply Disturbed Passing Mix サンプル https://youtu.be/uzQoK6PBCTE

Cold Springリリース Style: Esoteric / Electronica / Experimental Format: CD in 6-panel digipak / Cold Spring are proud to announce the long-awaited reissue of Coil's 1992 album, presented on CD and, for the first time, on vinyl. "Stolen & Contaminated Songs" was recorded and produced by Coil in 1992. It is comprised of over 60 minutes of outtakes and unreleased songs, evolved during the recording sessions for their prior album, "Love's Secret Domain". A wealth of superb material showcasing the diversity of Coil: dark, violent, vivid and fractured, yet cohesive and beautiful. Combined with the latest studio technology and Coil's ever-evolving production skills, "S&C Songs" walks a fine line between tradition and innovation, continually creating semi-abstract soundscapes with a cinematic quality. サンプル https://soundcloud.com/coldspring/sets/coil-stolen-contaminated-songs

Brutalist Tapes (Denmark)リリースカセットテープ Harsh power electronics from Northern Italy. 50 copies

Brutalist Tapes (Denmark)リリースカセットテープ Another product brought to you by the Danish death industries. 30 copies

Brutalist Tapes (Denmark)リリースカセットテープ the Danish death industries.Recorded 2019, 30 copies

Brutalist Tapes (Denmark)リリースカセットテープ Dark Ambient,30 copies

Brutalist Tapes (Denmark)リリースカセットテープ 3rd EP from this Danish PE horde

Brutalist Tapes (Denmark)リリースカセットテープ The new EP of Varulv, recorded 2020. Broken isolationist electronics. 20 copies.

Brutalist Tapes (Denmark)リリースカセットテープ Power Electronics! Recorded 2018, limited to 40 copies